Foxy brown dating kurupt. Kurupt Opens Up About Foxy Brown Relationship & Reconciling With DMX.



Foxy brown dating kurupt

Foxy brown dating kurupt

Dre and [Snoop] Dogg taught me how to make records. I just wanted to Battle Rap all the time. That was my thing.

Philly gave me my skill, and California critiqued it. Whether it was a confrontation with Bone Thugs-N-Harmony, DMX and Foxy Brown or his former label mates Snoop Dogg and Daz, loyalty is the common thread between both some of his most heated battles and their ensuing reconciliations.

Some 20 years after helping reshape the template for Hip Hop in California, Kurupt looks back on his initial dealings with all participants involved and how those encounters influence how he moves today. Oh, wow…very real record. I wrote the chorus, and it gave me an opportunity to see my words stretch out and become something. A lot of that record gave me the opportunity to expand as a writer as well as an artist.

What were the times like when you were making that album? I know things after that album seemed to go crazy after Dogg Food came out. What was it like going into that project…the chemistry between you and Daz and the fact it was the first album Dr. It was the first album for me and Daz, and it was our transition from just rapping to becoming stars. When we did Dogg Food, that was our opportunity to have our own album. During that time, The Lady of Rage was supposed to come out next.

Me and Daz just went for it. We were ready and started playing records for Suge [Knight]. There were a lot of trials and tribulations during that time, transitioning from being a kid to a man, having our own things, a lot of money we messed off…but it was fun as well. You were 20, 21 when Dogg Food came out? In , I was With Doggystyle in , I was 22, You guys talk about that in a lot of interviews. Look at my ID, man.

I worked hard for this. Back in those days, life expectancy for a black man was I was around Snoop [Dogg] before he made it. The experience is indescribable. At that age, you just run through it. You just go with the flow and slide through it.

Within that time, history was made, money was made. I know what to do with the money now and how to spend it…how to save and have a good team behind me. I know what to do with the success; I know how to handle my business with people. I want to live. At none of those times were we really living; we were just running. When Tupac came, he taught all of us about work ethic.

Before then, we had no work ethic. We were just there, and whatever happened, happened. Now, just apply all that education and experience. I know how to make a good record, and I know how to spend my money. I have children now. In , you released Kuruption! Was that a product of the work ethic you learned from Tupac?

The album cover of that was a newspaper, and on the sidebar, it was announcing Antra Records. It was the whole purpose on Antra.

At 16, I moved to California. Dre and Dogg taught me how to make records. It turned it into making records. That difference between rapping and making records—total difference. I wanted my label to be that type of label. As you can see, it shape-shifted the entire West Coast. The way people rap, you hear a lot of East Coast influence in their raps nowadays from Game to—everybody has skill now.

It was more subject-oriented. I gave it up for my new journey of my solo career. The first thing I wanted to do is pay homage to the two places that helped create Kurupt, which is the East Coast and the West Coast. Did you say Micstro? Did I misquote you? Oh okay, that was me. I thought you was up on Micstro. No, I know who they are. The whole Def Jam era. Before that, it was a lot of live music. I was a part of that real Hip Hop era. You can trace graffiti back to… Kurupt: It was New York, and then it was Philly.

Then it was Jersey. But Philly was always number two when it came to Hip Hop, breakdancing, deejaying and all that type of stuff. Philly had the number one DJs. Who was the number one DJ out of Philly back then? He was vicious, but then you also had DJ Cash Money…he was killing them. They were killing them at all the DJ contests…whooping them bad. Then there were the best emcees. I think Swizz Beatz and Jay-Z made a bet on who had the hardest emcees. It goes to show you the influence of Philadelphia.

Our rhyme style is just totally different. We were real slick with it. As you can see right now, one of the number one artists is from Philly— Meek Mill. I mean, when he was young, with braids, he was killing them. We were born into Hip Hop. Our whole format of rapping is strictly about slickness.

We were real slick with our words and the way we say it. Do you watch Battle Raps? Do you pay attention to it now? It has come out twice in this conversation so far. Everybody has skill, where back in the day, not too many had that skill. My thing was freestyling. Battle Rap is a little different nowadays.

Everybody is rapping written raps and not a lot of freestylers. Back in the day, you had to earn it. It was a little bit different. I wanted to be like my cousin Skippy G. They seemed so cool, so fly, busting their little raps and doing their routines.

Even my first rap, I was rapping, tapping, zippidy-zapping all the way down the street, rocking to the beat—my first rap ever. Back in the days, we rapped because we loved it whether we got paid or not.

Nowadays, everybody raps because they want to get paid. They rap because they like it. That was my first record. It got me in the game. Dre gave me the opportunity. We were all around there.

Video by theme:

Foxy Brown - Oh yeah (original)



Foxy brown dating kurupt

Dre and [Snoop] Dogg taught me how to make records. I just wanted to Battle Rap all the time. That was my thing.

Philly gave me my skill, and California critiqued it. Whether it was a confrontation with Bone Thugs-N-Harmony, DMX and Foxy Brown or his former label mates Snoop Dogg and Daz, loyalty is the common thread between both some of his most heated battles and their ensuing reconciliations. Some 20 years after helping reshape the template for Hip Hop in California, Kurupt looks back on his initial dealings with all participants involved and how those encounters influence how he moves today.

Oh, wow…very real record. I wrote the chorus, and it gave me an opportunity to see my words stretch out and become something. A lot of that record gave me the opportunity to expand as a writer as well as an artist. What were the times like when you were making that album? I know things after that album seemed to go crazy after Dogg Food came out. What was it like going into that project…the chemistry between you and Daz and the fact it was the first album Dr.

It was the first album for me and Daz, and it was our transition from just rapping to becoming stars. When we did Dogg Food, that was our opportunity to have our own album. During that time, The Lady of Rage was supposed to come out next. Me and Daz just went for it. We were ready and started playing records for Suge [Knight]. There were a lot of trials and tribulations during that time, transitioning from being a kid to a man, having our own things, a lot of money we messed off…but it was fun as well.

You were 20, 21 when Dogg Food came out? In , I was With Doggystyle in , I was 22, You guys talk about that in a lot of interviews. Look at my ID, man. I worked hard for this. Back in those days, life expectancy for a black man was I was around Snoop [Dogg] before he made it. The experience is indescribable. At that age, you just run through it. You just go with the flow and slide through it.

Within that time, history was made, money was made. I know what to do with the money now and how to spend it…how to save and have a good team behind me. I know what to do with the success; I know how to handle my business with people.

I want to live. At none of those times were we really living; we were just running. When Tupac came, he taught all of us about work ethic. Before then, we had no work ethic. We were just there, and whatever happened, happened. Now, just apply all that education and experience. I know how to make a good record, and I know how to spend my money. I have children now. In , you released Kuruption! Was that a product of the work ethic you learned from Tupac?

The album cover of that was a newspaper, and on the sidebar, it was announcing Antra Records. It was the whole purpose on Antra. At 16, I moved to California. Dre and Dogg taught me how to make records. It turned it into making records. That difference between rapping and making records—total difference.

I wanted my label to be that type of label. As you can see, it shape-shifted the entire West Coast. The way people rap, you hear a lot of East Coast influence in their raps nowadays from Game to—everybody has skill now. It was more subject-oriented. I gave it up for my new journey of my solo career. The first thing I wanted to do is pay homage to the two places that helped create Kurupt, which is the East Coast and the West Coast.

Did you say Micstro? Did I misquote you? Oh okay, that was me. I thought you was up on Micstro. No, I know who they are. The whole Def Jam era.

Before that, it was a lot of live music. I was a part of that real Hip Hop era. You can trace graffiti back to… Kurupt: It was New York, and then it was Philly. Then it was Jersey. But Philly was always number two when it came to Hip Hop, breakdancing, deejaying and all that type of stuff. Philly had the number one DJs. Who was the number one DJ out of Philly back then? He was vicious, but then you also had DJ Cash Money…he was killing them. They were killing them at all the DJ contests…whooping them bad.

Then there were the best emcees. I think Swizz Beatz and Jay-Z made a bet on who had the hardest emcees. It goes to show you the influence of Philadelphia. Our rhyme style is just totally different. We were real slick with it. As you can see right now, one of the number one artists is from Philly— Meek Mill. I mean, when he was young, with braids, he was killing them. We were born into Hip Hop. Our whole format of rapping is strictly about slickness.

We were real slick with our words and the way we say it. Do you watch Battle Raps? Do you pay attention to it now? It has come out twice in this conversation so far. Everybody has skill, where back in the day, not too many had that skill. My thing was freestyling. Battle Rap is a little different nowadays. Everybody is rapping written raps and not a lot of freestylers. Back in the day, you had to earn it.

It was a little bit different. I wanted to be like my cousin Skippy G. They seemed so cool, so fly, busting their little raps and doing their routines. Even my first rap, I was rapping, tapping, zippidy-zapping all the way down the street, rocking to the beat—my first rap ever. Back in the days, we rapped because we loved it whether we got paid or not. Nowadays, everybody raps because they want to get paid. They rap because they like it. That was my first record.

It got me in the game. Dre gave me the opportunity. We were all around there.

Foxy brown dating kurupt

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3 Comments

  1. This was the only track that Lil' Kim and Foxy Brown appeared on together, the two were friends at the time. Snoop Dogg is about the streets. I really loved Inga to death.

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